This year's jury is chaired by Tate Britain director Penelope Curtis and includes the curator Annie Fletcher and the writer and lecturer Declan Long.
Long said the each of the four shortlisted artists represented "remarkable developments" in art.
(my emphasis)Yiadom-Boakye’s figurative paintings are drawn from her own fictitious set of characters and allude to traditions of European portraiture. The way in which an audience might project meaning on to these figures is a key point of interest for Yiadom-Boakye, addressing the very problem of representation – particularly with regards to black subjects – in figurative painting and public spectatorship at large.
(my emphasis)Yiadom-Boakye’s paintings suggest a narrative but the people and places depicted are carefully ambiguous ciphers of the imagination. Occasionally there are small traces of specificity, such clothing or hairstyles, but largely the figures and scenarios appear unfixed to any clear associations of race, class, gender or location.
'most art is at some level about the artist themselves'...
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