the best reviews: borised
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1
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From: ed Category: Art Date: 02 May 2008 Time: 05:32 AM Review: http://re-title.typepad.com/opportunities/2008/05/frieze-writers.html there must be some worldwidereviewers who could write 700 great words and show them a critical review!
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2
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From: Flot sum Category: Art Date: 28 April 2008 Time: 04:29 PM Review: Torsten Lauschmann made an animation using numbers to make a face that speaks the words of Pal Erdos, its quite watch able in part because it is funny and the voice is pleasant. Some feet on film dance on a ball that is really there, ok beautiful thing to have in the back ground but no need to look closer. Well there is other bits and pieces but……..
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3
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From: foodie Category: Consumer Date: 28 April 2008 Time: 05:46 AM Review: http://www.maozveg.com/ The interesting thing about falafel is that it isn't very interesting. It's the big salad bar and the sauces that taste good. The falafel is sort of a dry grainy fried pellet. But this place offers a meal (drink, falafel and refill salad, and chips) for £4.90 in soho, and that is good value when a beer can cost more at the coach and horses (hoegarden over £5). One member of staff is quite rude in a friendly way, but some of our constrained Enlgish cousins can take this humour the wrong way. The red cabbage and little pickled aubergine type things are good, and you need to soak the falafel in green chilli and coriander and maybe some garlic sauce or tahini. One feels a little shy about going up to the salad bar for repeats, but don't fear if you have the big meal it's perfectly legal. If the thing that formed the basis of this vaguely nutritional meal was better (say lamb or even fried mexican bean burgers) than it would be truely delicious, at the moment it is just an oasis of okness for cashstarved non meat eaters.
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4
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From: banksy watch Category: Art Date: 02 May 2008 Time: 09:21 AM Review: http://www.thecansfestival.com/ http://news.sky.com/skynews/picture_gallery/0,,70141-1314733,00.html so is this done with permission? guess it might have been. it's hard to get excited about the art, even if the spirit of a free outdoor exhibition is admirable. the problem is the usually simplistic images and graphics. the equivalent of a magazine cover.
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5
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From: Remi Category: Consumer Date: 29 April 2008 Time: 05:58 PM Review: When they started these about ten years ago, you could get a decent variety of restaurants. Unusual hotel places served by double Dutch waiters. But now the restaurants are just created to be in the offer, and have the same priced menu as the token deal, or worse. So what's the point. However, one fine restaurant still stands strong and offers its above tenner food to enthusiastic broadsheet readers: Greig's. In Mayfair. Pronounced like the Norwegian composer. The Times should do the decent thing and give this steak/salmonhouse free advertising in its pages and dispense with the other restaurants.
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6
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From: art reviews Category: Art Date: 23 April 2008 Time: 02:18 PM Review: Voyage to the temple of doom. It all looks so OLD. Whimsy by white MEN in suits. Maybe it was shocking at the time/ maybe it wasn't. Picabia, loved by every young male painter, for the reason that he did some nudey pictures which are MUCH worse in reality, just not that clever or cool. Duchamp only gets it going for his dirty peephole piece recreated here, sexual violence keeps its frisson. Man Ray nice name, forgettable art. Nice stroll through artefacts.
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7
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From: Category: Art Date: 28 April 2008 Time: 04:10 PM Review: I made the mistake of reading some feminist texts before venturing in to this show, hardly the reading material to encourage my appreciation of this macho mix. I find it astonishing that in the comments on the wall there is not even a mention of the sexism that pervades this show. There is not even the tiniest criticism of the endless objectification of women and what that meant at that time. I know that there is no escaping sexism in art history, as in history itself, but given that the comments mention visits to prostitutes etc. this education the tate gives us accepts all. If things had changed enough - if our attitudes to women had changed significantly - the tate would find it necessary to explain the odd approach to these other human beings/women as seen in the lives of these artists and their art. In fact they remind me of footballers all having sex with the same woman together, and as with them one wonders why they, in their self love, don't just cut out the middle (wo)man. The fact is we haven't changed much, we all see, whether we like it or not, through their white male eyes and no explanation is needed.
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8
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From: art news Category: Art Date: 30 April 2008 Time: 02:38 PM Review: http://arts.guardian.co.uk/art/photography/story/0,,2276876,00.html she make some good points about double standards. Somehow it all seems to link to the Austrian cellar, the perverse interest in the perverse, the sordid longing for the worst and most revolting things possible to be possible. The eternal human schadenfreude.
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9
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From: helen goodcraft Category: Art Date: 25 April 2008 Time: 03:47 PM Review: The National Portrait Gallery is full of portraits. Some of the people are famous. Some of the people were famous. Some of the portraits are by artists, some by good portrait painters, and some by what passes for portrait painters these days. WHy do we need a portrait gallery? Can;t they just put the good ones in the national gallery, or is a bad painting of a famous person interesting? That is the big question about the NPG. And the answer is sort of. There is an exhibition about bluestockings which has one good portrait of a woman with long nose. Is it interesting to see bad portraits of interesting/underrepresented women? Sort of.
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10
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From: book reviews Category: Books Date: 24 April 2008 Time: 09:14 PM Review: I had fallen asleep too often reading her book on totalitarianism therefore avoided this book which launched the famous phrase. It is brilliant. Full of scathing angry intelligence. One of most illuminating books on the holocaust, it shakes the heavy layers of rhetoric and cliche off the event, and confronts you again with the fresh huge depressing questions that it asks. Precise thoughts on justice and guilt. To take one small example she says of post-war young germans feeling guilt that is an easy sentimental emotion (aren't I virtuous for feeling guilty when I havent done anything) , and more appropriate would have been anger with their elders who had accepted former Nazis back into government and had failed (in the twenty years after the war) to acknowledge their generation's knowledge and complicity in the holocaust. She puts it better! Anyway read the book.
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