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An okay-ish show of large abstract emblematic paintings with the odd twist of trompe thrown in for virtuosity's sake. There is actually a bit of this sort of stuff around now, coming mainly from Germany. Wright's version is all very tasteful though, all those harmonised browns and blacks and just a little too careful with her gestures and drips. I couldn't quite get into it, but if you're doing the rounds in London, this one is at least worth the visit.