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The Space Between at The Crypt, St Pancras Church, Euston Road, London NW1

Category: Art
Date:     07 June 2009
Time:     04:52 AM



THE SPACE BETWEEN / 5 to 21 June 2009

Group show with artists Annie Cattrell, Amanda Couch, Richard Ducker, Jan Dunning, Joy Gerrard, Kate
MccGwire, Marilčne Oliver, Kate Street, Esther Teichmann

Opening times, Tuesday to Sunday, 12.30pm to 6pm
Performance times: Thursday 4 June, 6.30-8.30pm; Sunday 7 June, 1.30-2.30pm Wednesday 10 June,
4-6pm; Saturday 13 June, 4-6pm; Thursday 18 June, 4-6pm

The Space Between brings together a group of nine established and newly established artists (whose
work ranges from video to performance and sculpture), many of whom are represented in major
collections, including the Saatchi, V&A and Wellcome Trust’s. The show explores the ideas that
surround our common experience of ‘liminality’, of existing in ‘a space between’ places, ideas,
thoughts and emotions. The venue itself, with its tombstones and relics of those who have ‘crossed
over’, is perfect for a discussion of the theme, occupying as it does the middle ground between
states, the ephemeral and the permanent, life and death. 

The current Zeitgeist dictates that we can be anyone or anything if only we try hard enough, or are
good enough, and so increasingly we find ourselves in a ‘space between’, somewhere between ‘being’
and ‘becoming’. It’s a place of transformation and possibility, rich with longing, melancholy and
fantasy. Only here are we able to stop and contemplate – but never entirely grasp – the state of
flux that characterizes our lives. 

This sense of being poised on some kind of threshold is all the more topical because of the
precariousness of the age in which we live. As the artist Doris Salcedo has said, ‘Precariousness
produces an image in which the nature of the work is never entirely present.’ The artists’ diverse
practices of sculpture, video, photography, installation and performance each tap into different
aspects of the theme: 

Annie Cattrell describes herself as ‘a runner between worlds’, between science and art. Her work
deals with the fleeting and ephemeral, those things that are normally invisible to the human eye – a
breath inside a human lung or cloud formation on a particular day. She will be showing a new work,
‘Pleasure/Pain’, which exploits the latest neuroscientific findings to make visible the transmission
of our most basic emotions –  those associated with pleasure and pain – from the primordial centre
of the brain stem to the two hemispheres where those feelings are experienced. 

Amanda Couch has created an alter ego, ‘a traveller, somewhere between civilized and savage, woman
and child, space and time’. She has created a new work especially for The Space Between, which she
will perform at the private view and at other times (see above for details).

Richard Ducker makes sculptural objects coated in concrete that are at once sombre and humorous. He
combines the found with the made object to suggest private stories embedded in works which ‘evoke
nostalgia, myths soaked in dreams, and fairy-tales gone wrong’. 

Jan Dunning works with a pinhole camera, offering an unsettling, enigmatic perspective on the
‘natural’ world. Her work exploits the ambiguous and transformational perspective of the pinhole
photograph to present confrontations between fiction and reality, the possible and impossible, the
natural and unnatural. 

Joy Gerrard concentrates on space, site, politics and a visual response to the city as a site of
transformation. She looks at the idea of ‘the crowd’ framed by urban space in an attempt to address
some fundamental questions about the changing political face of the city. Recent work includes
large-format drawings of crowds forming to mourn and protest as well as miniature animation and
video works that comment on the politics of congregation and dispersal in urban spaces. 

Kate MccGwire uses impure materials, most recently pigeon feathers (collected from pigeon-fanciers
and sent in from all over the UK), to create forms that exist somewhere between myth and reality,
deliberately playing with Freud’s notion of ‘The Uncanny’ (that sense of something which is both
familiar and strange) to unseat our sense of well-being. She will be showing ‘Rile’, a feathered
hybrid, half serpent half snake, and ‘Sluice’, an effluent-like flood of pigeon feathers, both of
which play on the material’s ability to elicit wonder and repulsion in equal measure.

Marilčne Oliver works at a crossroads somewhere between new digital technologies, traditional print
and sculpture, her finished objects bridging the virtual and the real worlds. She works with the
body translated into data form in order to understand how it has become ‘unfleshed’, in the hope of
understanding who or what it has become. To this end she uses various scanning technologies, such as
MRI and PET, to reclaim the interior of the body – a threshold portraitists don’t generally cross –
in all its physical beauty. And yet we are never privileged a complete view of the body before us;
in her ‘Family Portrait’ series (which will be shown in its entirety) our gaze is constantly drawn
to the gaps, the spaces between the printed sheets, each representing a slice of the human form. 

Kate Street uses language and well-known stock phrases as a starting point for her sculptural works
that strike a balance between the theatrical and the absurd, the romantic and the deathly. She is
creating two new works for the show, one of which ‘Bird in the Hand’ explores our need to compare
our achievements with others’, to dissect and analyse, in the search for the root of what makes us

Esther Teichmann uses the medium of photography and video to examine the relationship of the self to
the maternal body and to the body of the lover. Desire and fear of loss are subtly and yet
powerfully evoked in these explorations of the visceral and expressive properties of the human
physique and skin. Teichmann will show ‘To Get There’, a video work which invites the viewer to
enter into the intimate world of the mother longing to comfort an adult child. 
For further information or images see or phone Emma Lilley on 07834
320714; email

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